2016-10-21

Tarot in the Maze

If you enjoy MAZE, there’s a good chance you are also interested in the Tarot – both are an irresistible stew of images, symbols, text, and numbers, spiced with myth, mystery, magic, and menace while offering rich possibilities for interpretation. I caught the Tarot bug early and bought my first deck at the age of 10 from a New-Agey store, dutifully storing it in black silk to protect it from “harmful vibrations” when I wasn’t torturing friends and family with inept readings.

Over the years, I came to lose my childhood belief in any real predictive magic the Tarot might have, but I never quite lost interest in the cards, picking up a new deck or Tarot book here and there, and occasionally attempting readings. Magic or not, the Tarot does have value in decision making: as a ritualized way of approaching a problem or a question, the cards can be helpful in focussing your thinking. Doing a reading for yourself or someone else can force you to think carefully and deeply about a situation and to consider it from different perspectives, working through the consequences of possible solutions and obstacles suggested by the cards.

And even if you don’t use them for readings, Tarot cards are fascinating just for the artwork. People become obsessed with collecting Tarot decks-I have four or five myself and that’s nothing compared to some people. There are a lot of ugly or silly or lazy decks out there, but there are also many that are gorgeous and innovative. (Dali did a wonderful deck, for example, casting himself as The Magician, of course.)It’s exciting to see how different artists have interpreted the familiar scenes and meanings of the cards, a thrill similar to what you feel when you listen to a cover of a beloved song that makes it beautiful in a new way.

I could ramble on for quite some time about Tarot, but we’re here to talk about MAZE. In the chat and on the episodes people have spent a fair bit of time discussing the significance and validity of various Tarot references throughout the Maze. (Some of us even chose cards to go with our bios – can you figure out the reasons behind the choices?) There’s no question – Tarot is part of the Maze. But, as with most things around here, how much is real and what it all means is up for debate...

Room 20: The Tower

The distinctive image of a lightning-struck tower in Room 20 is the most obvious and indisputable reference to a Tarot card in the Maze. Interpretations of The Tower and its 3D twin reclining in the tartan-covered chair are many; some are better than others. The most compelling observation is that The Tower is the sixteenth card of the major arcana, and that tells you that if you get to Room 20 you are at the end of the sixteen-step path. To me, this is the most important message for Room 20 to convey. Some may quibble and say that Room 20 actually represents the fifteenth step, but I say in the Maze, 16 = end of Path, and the 16th card in a room sends a pretty clear message. It’s beside the door to Room 1, so if you want, it can be telling you that taking door 1 from here represents your sixteenth step if you’ve been going the right way. If not-try again.

Several interpretations involve the closed and open doors of the two towers. The tower reclining in the comfy chair has a closed door, while the door on The Tower is open. Meaning-wise, The Tower is one of the worst cards in the Tarot, representing calamitous change. Connecting this meaning to the open door, and the idea of safety to the closed door on the other tower a possible reading is, “open doors are dangerous, closed doors are safe.” I like this interpretation because to me, the only correct choice in here is to go back to 1, regardless of where you are in your journey, and door 1 is the closed door. If you go to 27 you get stuck in the Loop, and if you go to 5 you have a 50% chance of ending up in the Trap and will miss the crucial ATLAS part of the riddle, even if you manage to pick door 30.

There is another interpretation of the open and closed doors on the Abyss, which you can read here.

Room 27: The Hermit

Or should I say the anti-Hermit? This Tarot reference has been discussed more than any of the others. The solution on the Abyss, which I like, depends on the statue with the lantern on door 9 clearly referencing The Hermit. I think he does because a) we are in a room that references cards, making you think of Tarot by association; b) the Hermit is the ninth card of the Major Arcana, matching the door number; and c) the Hermit is commonly depicted as carrying a lantern.

The obvious problem is that the statue itself doesn’t look anything like The Hermit. There are several key differences: the statue is young not old, blind not sighted; he isn’t carrying his lantern (and could not see by its light anyway); he’s wearing the garb of an ancient Greek, not Gandalf-robes; and he seems to be sinking into the ground instead of standing on a mountaintop. Given that one of the meanings of the card is wisdom, the point of Manson making us think of the card while also evoking its opposite is to signal that to take this door would be foolish. Of all the figures in the Tarot, this statue probably resembles The Fool most, strengthening this interpretation. The lantern, though, seems to be The Hermit’s true lantern, and lights the way for us to door 13.

As I said, I like this, but there are many who don’t, surprise surprise. Beelz posited this explanation in the Room 27 episode, and everyone seemed pretty keen on it then, but a year later most were not so thrilled with the idea when it came out of one of White Raven’s hints. Take a look at the initial and subsequent discussions on The Abyss and decide for yourself!

An interesting observation is that you can get to Room 27 from Room 20, so perhaps Manson also saw these references as a red herring trail for people trying to find interroom connections.

Other Tarot Possibilities

At one point Vincent went through and made a list of a bunch of symbols and objects that appeared both in the Maze and in Tarot. I can’t seem to find that list now but there are quite a few: staves, angels, sun, moon, stars, clarions, devils, banners, chariots… that’s just a few off the top of my head. These are mostly common symbols and objects, so it’s hard to know if there was an intended Tarot connection or not.

Two references that do seem to have some legs are found in Rooms 19 and 38. Room 19, the outdoor room in which we meet Manson and the Sun-Man, and in which the brightness of the sunlight is emphasized, might refer to The Sun, which is the 19th trump of the Tarot. I pointed out a bunch of other similarities and connections in that room, mostly silly, which you can read here. It doesn’t seem to really help with a solution. In Room 38, the face above the door and the two unfinished figures on the side seem to evoke the composition of trump 15, The Devil. Again, doesn’t seem to help much. Could perhaps just be another trap/Minotaur reference, since the two human figures in the Rider-Waite deck (the most commonly known one and the one shown here), are chained to the pedestal on which the horned part-human part-beast devil is squatting.

*UPDATE (10/31/2016): How could I have forgotten Room 13 and its possible references to the 13th trump, the Death card? I don’t know, but I did. This possible reference is especially interesting considering it continues the Room 20 – Room 27 Tarot trail. Never fear, you can read all about that connection and more in this, the longest-ever Abyss post, written (of course) by Vincent.

A Reading

Well! All this thinking about the Tarot put me in the mood to do a reading for an absent friend. I decided to try out a new method for laying out the cards, but I’m having some trouble interpreting them. Here they are-can you help?

While you’re puzzling it out, have a listen. This doesn’t have anything to do with the reading, but it’s on theme. 🙂

2016-10-19

Best of Mazecast: Room 39

Getting antsy waiting for the next MazeCast episode? My recommendation is to go back and watch early episodes again. I like to do this when working on mechanical tasks and when I do I always find I learn something I missed the first time or am reminded of an idea I loved.

Take, for example, the Room 39 episode, “The Thousand Injuries of Fortunato.” I revisited this episode recently while doing a bunch of formatting and it is a good one, featuring Vincent, Greg, and Beelz. Room 39 is of course the Cask of Amontillado/Poe room, so there’s a lot of talk about that, but you also learn about the ELVIS WAY observation and the Young Guns 2 connection. In case that’s not enough to make you want to revisit Room 39, here’s a snippet of conversation that occurred after Beelz presented Dave Gentile’s idea about how we know which door Montresor took. Apparently, he was just popping over to Room 4 to gather materials to make the torch which he planned to shove into Fortunato’s cell before sealing it up for good.

VINCENT: You wouldn’t really use a log to make a torch, would you? I mean, that’s not the way you make torches…

GREG: Chop it up!

BEELZ: Chop some of it off!

VINCENT: You, you’d have to… You wouldn’t... you couldn’t do it with just an axe because they’re – I mean you could I guess if you were really an expert wor – but that’s not what they do ’cause they make like, thin – more like a pole than a-

GREG: Well, what Middle Ages tool would you use to make a torch?

VINCENT: (exasperated) I don’t know what they used in the Middle AGES…

GREG: Well, that’s when you used torches! You don’t use torches – like, these days, the British, they call torches flashlights, and you don’t use wood for that at all. But that’s not what they used in the Cask of Amontillago! They used, like, a torch with a stick.

VINCENT: Yeah a STICK, not a LOG!

BEELZ: He just pushes the candle in there! It’s METAPHORICALLY a torch.

Yes, a fine example of the kind of eloquence and in-depth analysis you have come to expect from MazeCast.

But what happens next? Before you get all shook up, skip to 56:40-ish to listen the exchange and find out. Or, don’t be cruel to yourself, just rewatch the whole episode! And remember, if MAZE is always on your mind, we want to hear from you. Comment or get in touch via the public MAZE chat room, accessible from the link on the home page banner.

2016-10-11

Another Maze diorama!

Another Canadian Thanksgiving, another MAZE diorama. Inspired by finding a toy alligator that my mom had saved from our trip to Busch Gardens 30-odd years ago, I decided to tackle Room 44. I had a fair bit of time one evening to draw the back wall and really enjoyed doing it-it's quite relaxing and meditative to redraw rooms, as Barry already knows of course. Unfortunately I was a little pressed for time during setup and photography, so the results are not exactly as I had envisioned:

Maze diorama

Better in sepia perhaps?

Maze diorama

Anyway, I wish I'd had time to make the reptile a proper spiky collar or even to have centred "Athena" on her Lego pedestal, and the effect certainly would have been improved by a different angle or a fake blue-sky background, but I think it was a worthwhile exercise nevertheless. I did not bother to hide my project from the family this time. They've witnessed enough MAZE-mania over the past year to be in no doubt as to my mental state, so I've decided I'm going to be crazy out in the open, and that's one thing to feel thankful for. (Although it's possible the intervention is just around the corner...)

This Thanksgiving weekend I also felt thankful for Christopher Manson and MAZE, White Raven and Into the Abyss, and all the friends I've met through MazeCast. Special thanks to the creators of Terror Island for inspiring the use of chess pieces as statues.

2016-08-28

Songs to Maze By - Room 24 (GAME OVER)

This is the end, beautiful friends.* The final puzzle point has been awarded; no further Cluemasters will be crowned. In light of White Raven's recent announcement that the gamification of MAZE on Into the Abyss is now at an end, it seemed fitting to do a playlist for MAZE's Game Over room-the Abyss itself, Room 24.



"One of Us" by Technical Itch
Alex posted this one in the public chat the other day and said it was perfect for Room 24-and it is! It won't take you long to figure out why...



"The Sound of Silence" by Simon and Garfunkel
"Hello darkness my old friend..."



"These Eyes" by The Guess Who
Here's your government-mandated CanCon.



"The End" by The Doors
The Doors - Get it? Get it!? (Yes, it is nearly 12 minutes long, but you're stuck in the Abyss forever so QUIT COMPLAINING!!!)



"The End of the World as We Know It" by REM

As a generally cheerful person, I find I cannot end even the Room 24 playlist on a depressing note. So here for you is the most cheerful** of apocalypse songs. For me this song has particular meaning and since we're stuck here together in the dark, I'll tell you why. At university I belonged to a group that did sketch comedy interspersed with songs. We had a live band and performed in one of the campus pubs. I'm old, so this was near the dawn of the Internet, and the miracle of being able to find lyrics to any song at the click of a mouse had not yet occurred. Therefore, if the lyrics weren't on the liner notes, somebody had to listen to and write out the words to any song we wanted to do-or just make up new words, which is what often happened. But not in the case of this song, which was to be the big finale, since nobody wanted the job of writing new words for all those lyrics. So it transpired that five of us, including the musical director, were crammed in somebody's car on the way back to school from Toronto, listening to this song over and over and desperately trying to figure out what the fuck they were saying. Much of what we wrote down was total gibberish, but everyone dutifully learned and sang it. (Fortunately the audience-along with the performers-were usually pretty drunk by the end of the show, so nobody cared that it made no sense.) These days, of course, you are spared this kind of trouble thanks to the aforementioned miracle, although the published lyrics don't make much sense either. Some sample comparisons:

Internet: "Don't misserve your own needs" vs. What we thought: "Dummy, serve your own needs"
Internet: "Feed it up a knock, feed, grunt, no strength" vs. What we thought: "Speed it up a notch, Pete: front row seat"
Internet: "You vitriolic patriotic slam fight bright light" vs. What we thought: "You vitriolic patriotic slam butt fight, like"

To this day I can sing that whole song with the lyrics we wrote down, even a few beers into the evening.

Anyway, thanks for listening-so nice to have a captive audience. And now, "It's time I had some time alone..." BWAHAHAHAHAHAHAHAHAHAA



*Some would have you believe that it's not really the end but only the beginning of a BRAVE NEW ERA OF MAZE. Hope springs eternal! **For an even more cheerful (and even faster!) rendition, check out this CanCon cover by Great Big Sea.

2016-07-08

Songs to Maze By - Room 23

How about this heat, eh? Baseball, sunshine, thunderstorms-if there's a summer room in MAZE, then Room 23 is it. Here's your playlist!



"I'll Follow the Sun" by the Beatles
Let's start with the blindingly obvious. The correct door to take in here is the Room 8 door, which is bathed in sunlight and has a picture of the glowing sun over the door. If you're on the Path, you've just come from 45, and day follows night, so on you go, and who better to accompany you than these fellows.



"Follow the Sun" by Xavier Rudd
As an alternative, here's a rather lovely little sun-following song I found when looking for the Beatles tune. To be honest, it's a bit earnest-Australian-surfer-dude for me, but the lyrics have birds, so it's Mazey enough to warrant inclusion.



"Look Over Your Shoulder" by Kwabs
The second half of the 16-step path spells out "shoulders." (Not without controversy!) Room 23 has the "O" from the scroll but also has the word in the text: the Guide says, "... looking over my shoulder, which is not easy to do." Meaning the Guide is tall, I guess? I have an overly complicated theory about the Pleiades being on the shoulder of the constellation Taurus, but never mind that. The point is, we need a shoulder song. The first one that sprang to mind was Canadian Paul Anka's "Put Your Head on My Shoulder," and there is something appealing and kind of creepy about imagining that scratchy record being played on repeat in here, but in the end I went with this tune. I love this guy's voice and the ominous feel that comes from that buzzing bass line. "Better stay out of the shadows when you wander far from home" is a pretty good line for Room 23, dontcha think? And this line is highly appropriate for MAZE in general: "It will creep into your head and it will never let you go." (You can also listen to an alternative, stripped-down version here.)



"Centerfield" by John Fogerty
Although Room 45 is identified as the centre of the Maze, Room 23 marks the midpoint of your journey on the 16-step path, making Fogerty's baseball classic doubly suitable for Room 23.



"Moses Supposes (his Toeses are Roses)" with Gene Kelly and Donald O'Connor
To finish this room off, let's check off the stone tablets and that random foot picture with this jaunty number from Singin' in the Rain. Be sure to watch for the doors at 1:50. And try to imagine that instead of that final long "A" sound the boys are helpfully singing "EEEEEEIIIIIIGHHHHHHTT!"



Bonus CanCon Track: "Hard Sun" by Indio
This is actually the song that got me thinking about sun songs. I was in the car with a friend of mine who knows a lot about music, and the Eddie Vedder cover of "Hard Sun" came on the radio. I had never heard that version and was surprised when my friend said he didn't realize that the song was not Vedder's own. The original is by Indio, the stage name of a Canadian called Gordon Peterson, who recorded it as part of his one and only album, Big Harvest, in 1989, which was critically acclaimed but didn't do much commercially. Peterson disappeared from the scene shortly after releasing the album. Twenty years later, Vedder did his cover for the film Into the Wild, reviving the song and introducing it to new audiences, which led to the reissue of Big Harvest. Unfortunately, the cover also got Vedder in hot water with Gordon Peterson - although the label gave permission for Vedder to cover the song they never talked to Peterson about it. Peterson was upset about this and about some lyric changes, so he sued Vedder. (He lost.) It's all kind of depressing but the song itself remains a glorious thing.



"Walking on Broken Glass" by Annie Lennox
Update 2016-11-16: I heard this song on the radio yesterday and could not believe I had omitted it from this playlist. It's perfect for obvious reasons and the video is an over-the-top treat complete with pre-House Hugh Laurie and John Malkovich hamming it up Dangerous Liaisons–style.

The sun's still shining in the big blue sky
But it don't mean nothing to me
Oh let the rain come down
Let the wind blow through me
I'm living in an empty room
With all the windows smashed
And I've got so little left to lose
That it feels just like I'm walking on broken glass